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P a r i a h
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A friend of mine is trying to bring back the western. He has written the full first book in his trillogy and invited me to read over the manuscript. If you
have been reading these pages for long enough, then you have also read the first draft of his manuscript. When he got toward the end of his book there was a
discussion of how his villain had used discontent in his rise to power. My suggestion was to be less specific.
When "20000 Leagues Under the Sea" was written, France had a treaty with the nation that Verne was condemning with his novel. His agent was cautioning Mr.
Verne against threatening the international relations of France with his manuscript. Mr. Verne converted the enemy fleet into ships that did not fly a flag.
This actually improved the novel. There is always evil in the world.
When you get too specific in minor details of your writing, you tie yourself down. Will your story cease to be of interest to anybody because you were too
strongly tied to a historical fallacy? Letting your audience fill in a few details allows the readers to read in things that appeal to them. Many of the
things that I heave read lost points over points that the writer stuck in for the wrong reason. Would you be interested in a novel built around the coming
ice age that was widely predicted in the seventies?
The biggest problem that I had with some of the things that I have been required to read is that I was forced to swallow things that I knew were wrong. None
of those things actually had anything to do with what I was reading. The story would have been much more workable if it had not insulted my intelligence. But
I am not writing this just to complain. My point is that leaving out specifics can make a story work better.
You can be specific when you are walking about specific people of groups. That adds realism to the thinking of those characters. When you do the same thing
with the whole world, you spread the unbelieveable idea that everybody thinks the same thing in the same way. That does not work. Let people fill in the
details and they will credit you with their work.
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How much power is too much? |
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Do you know how much of a difference you make in the world just by being there? |
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In the Author's Words, I have a fantastical tale from the perspective of a bug. |
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Do you know your place in the world? Is your world the world that you are in? |
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A teacher's final lesson in life. |
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Love can cross barriers that the body cannot. |
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A story from the elusive editor. |
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A snitch in time saves thine. |
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Where is it that caped superheroes really come from? Can
they be real enough to fight crime? |
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How do you fight against a force which will not fight?
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How much freedom would you give up to be free?
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What secret lies in the reclusive angel's stone
fortress? |
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Some years ago, I was invited to work on two Linux programming books for Sams Publishing. My task was to check the technical details of some of the chapters in these books and correct mistakes I found. The first of these is a general programming book which covers all the basic things that a beginning Linux C programmer needs to know. You can purchase this book here: |
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What single event would it take to drive you insane?
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A year's friendship defines two lives.
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A bit of free verse commenting on Man's vision or lack thereof.
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A familiar historical event with a different ending.
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A play, both Biblical in proportion and in age.
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Now made with more real Joel "COP" Furches than ever before!!! |
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